Studio An Fonteyne

Multiplicity

Building Material

Reformierte Kirche, Meilen
by Géraldine Recker
Weaved Stone, Samuel Dayer & Viviane Hersche
by Géraldine Recker
by Géraldine Recker
Floorscapes, Félicie Morard & Corina Tripet
by Géraldine Recker
Fondazione Querini Stampalia, Carlo Scarpa, Venice
by Géraldine Recker
Steps, Fatma Nur Topbas & Fabienne Ulrich
by Géraldine Recker
by Géraldine Recker
The Curve, Karina Breeuwer & Alexane Varone
by Géraldine Recker
by Géraldine Recker
Connection System, Julian Holz & Gianmarco Tolone
by Géraldine Recker
by Géraldine Recker
Electrified Stones, Anabell Fritsches & Ina Stammberger
by Géraldine Recker
Castle Drogo, Edwin Lutyens, Drewsteignton, England
Reformierte Kirche, Meilen
Cathedral (South side), Orvieto, Italy
by Géraldine Recker
Water and the facade, Moana Arnosti & Oliver Brunhart
by Géraldine Recker
National Library of Slovenia, Jože Plečnik, Ljubljana
by Géraldine Recker
Workshop of Schmitt Naturstein
by Géraldine Recker
Quarry Lochmüli, Teufen
by Géraldine Recker
Workshop of Schmitt Naturstein
by Géraldine Recker

Multiplicity refers to a plurality of facets, implications and ramifications any question, even seemingly simple, can have. This layered reality, if fully embraced, verges on hyper-complexity, but can also be considered a productive entanglement, a richness. In architecture it can translate into the multiplicity of uses cohabiting in a common frame, or the multiplicity of spheres – client’s ambitions, architect’s agenda, community’s interests, historical relevance, constructive intentions – intersecting in a project. A fruitful reality.

Meilen, situated on the banks of Lake Zurich, hosts a reformed church. Besides being a religious institution, its sheer size makes it capable of hosting large crowds and of serving multiple purposes as a place of political or cultural gatherings. After being extended several times over the centuries, it needs another addition today, to facilitate its many uses and expand the role the church can play for the local community. A small detached building, that will serve as a gathering space, a place of hospitality, for guests known and unknown.
What could a church extension represent, in a picturesque lakeside settlement that might not seem to need much more than it already has? How could a small contemporary building influence the canonic use of churches, and modify the meaning of the existing building? And how could it give back to that part of the village some of the centrality it had until the 19th century, when the church’s square extended all the way to the water and hosted municipal services? To better understand Meilen and frame the design process, we will be helped by Prof. Dr. Christian Schmid’s Chair of Sociology, who will guide our initial observations of this context, and we will organize meetings with the Reformierte Kirche Meilen throughout the semester.

Building material will be our task. In an effort to embrace the multiple facets of the project, we will take the opportunity of working on a small-scale building to dive deep all the way into its materiality. We will tap into the specific tradition of stone architecture found in Zurich and Switzerland, thoroughly engaging with this material, which will guide the design of a low-energy project from spatial concept to detail. The building will be developed in close collaboration with the Dozentur Mettler/Studer für Bautechnologie und Konstruktion (BUK), and with stone mason Urs Schmitt (Schmitt Natursteinwerk AG) with who a series of visits and workshops will be held.
This semester, looking carefully at the layers of materiality, construction, detailing, context, actors and uses, together, we will be building material.

 


in collaboration with Dozentur Mettler/Studer für Bautechnologie und Konstruktion (BUK) /
Schmitt Natursteinwerk AG / Prof. Dr. Christian Schmid’s Chair of Sociology / ETH Materials Hub

 

 

Program

Works